Showing posts with label 80's Babies. Show all posts
Showing posts with label 80's Babies. Show all posts

Friday, December 3, 2010

One Time @ Bandcamp With... 80's Babies

I found Sonic Music early this year via the 80's Babies Bandcamp site. Like so much of what I download I didn't know anything about it, but after it came on in the shuffle a few times I knew I needed to get into it a little deeper. After just one listen I was shocked that this was an album being pushed through their site and by no other means that I'd seen. This is the beauty of Bandcamp and why I've been doing these reviews and interviews. Sure Kanye West may have made the ultimate pop document discussing the current state America has found itself in, but there are a lot of people with things to say, struggles to work out and thoughts to share. Tall Black and Dee Jackson are two of em and Sonic Music deserves your ears.

First up can you introduce yourselves? Who are you, what do yall do, how long yall been at it?
We’re a Chicago bases hip hop group named “ 80’s Babies” consisting of 2 memebers. Dee Jackson is the emcee, and Tall Black Guy is the producer. The groups been together over 4 years now.

Is this your first musical endeavor?
No, we released our debut album 80’s Babies LP in 08. T.B.G is a member of Pathfinders and they have a project out, and Dee Jackson has solo efforts previously released.

Are you guys born and raised in Chicago? What part?
Dee Jackson is born and raised on the south side then moved to the burbs. TBG is actually from Detroit but grew up in Chicagoland.

When did you know you wanted to rhyme/make beats?
Dee Jackson has been rhyming since 97 and TBG has always been a hiphop head, but starting making beats around 2001-02.

Are yall 80s babies? Or is it more about being in line with a sound from a different era?
We are both 80’s Babies, but it’s more about the golden era of hiphop.



How did Rookie films get invovled with yall? Are there more videos in the works?
We are fans of each other. We always loved what they’ve been doing and they have always enjoyed our work. So it was only right, plus those are the homies anyway. Technology video coming soon by Rookie Films.

When did you officially release the album?
Sonic Music was released on May 18,2010

How has the response been locally?
Very positive, lots of love from the home town

How often are you guys playing shows?
We perform on a weekly basis now. For booking hit up 80sbabiesmusic@gmail.com

Who are some artists that inspire you?
Nas, Common, The Roots, J Dilla, DJ Premeire, The Roots, Pete Rock, Mos Def, Slaughterhouse, Blu, Tribe, Lupe, and the list goes on…….

Who do you view as peers within the Chicago hip hop community? Is the scene supportive of each other or are cats all doing their own things?
Chicago hiphop scene is very segregated, but there are some talented cats that we have mutual love and respect for, such as The Pathfinders, Thaione Davis, Primeridian, Kazi the Blak, Yng Sin, K Sera, Allegra Dolores, Kenny Keys, Rashid Hadee, 1773, Fam Squad, Jelify, GQ the Teacha, Radius, Coolout Chris, Amina, Midflex, and many more. Chicago is in good hands.

Monday, November 29, 2010

80's Babies "Sonic Music"

It’s time to look at the album, and group, that is responsible for this whole bandcamp feature. Sometime in the summer I heard Sonic Music from the 80's Babies. Sure I was listening to some other jawns at the time but nothing quite struck me like this album. The fact that it was available almost exclusively from their bandcamp got me wondering how many albums could be out there in the ether a person would never know about it they didn’t just make one click.

The 80’s Babies are Dee Jackson on rhymes and Tall Black Guy cooking up the beats. The album falls in line with a lot of early underground east coast rap from about a decade ago yet nothing here sounds old. One of the refreshing qualities to this album is it’s air of newness. While I feel like I’m certainly listening to something inspired by music of the past, the 80’s Babies are not biting anyone delivering 16 tracks of original banging music.

The production throughout the album is ridiculous. Tall Black Guy flips so many jams, I’m afraid to investigate his crates be them digital or physical. From the “Intro” with it’s spacey synth line and drum-less groove in the beginning you will be mesmerized before Dee even starts dropping quotables.

Elsewhere he chops things so hard your neck might be in fear of snapping should you repeat listen all day long - and you will want. Horns get dropped in the mix, music is present in all his beats. Tall Black Guy has a great ear for melody and producing rather than just making a beat. These tracks grow and develop as you listen to em. On “C.O.B (Control Our Block)” he cuts the drums our and gives Knoc-Turn’al a fitlhy ghostly break to spit over, later in his verse bringing a mellower drum kick in over the piano keys he has making the track sparkle.

Most of the guests here are their homies from what I can gather. Crooked I also shows up on the aforementioned “C.O.B.” and delivers his trademark brand of scorching devastation he isn’t given the credit for being capable of enough. No one else here ever touches Dee Jackson though. The guy has a commandeering tone that insists you take him seriously. He never feels forced, his flow is as natural as Slick Rick’s story telling.

Topically Dee Jackson covers a lot of ground. Politics are addressed and their hometown pride in the current president shines through. The constant synchronous living with the internet and social media is a struggle and cause for confusion addressed in “Technology.” Stories are told on “Fighting Demons” about people in unique situations and the different demons that can be faced. Love isn’t far from the heart and Dee Jackson certainly has both. His daughter is mentioned with a sincere passion only a father could deliver.

No rap album is complete without some track extolling an emcee’s virtues on the mic and that’s here too. These two demonstrate a serious passion for the art, and a serious skill for it. Musically this album has made me smile, dance, laugh and just feel good about life. Lyrically its made me think, reflect and look at the life surrounding me. It’s great. Give it a listen below and if you dig it give em the 7 bucks - it's better than that sandwich you were thinking about for lunch.